|About the Book|
The concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concertoMoreThe concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concerto repertory, treating both the general and the particular. His perceptive commentary on individual works--with illustrative performances on the accompanying CD--is alive with enthusiasm, intimations, and insights into the spirit of concerto.Concertos model human relationships, according to Kerman, and his description of the conversation between solo instrument and orchestra brings this observation vividly to life. What does the solo instrument do when it first enters in a concerto? How do composers balance claims of solo-orchestra contrast and solo virtuosity? When do they deploy the sumptuous musical textures that only concertos can provide? Kermans unexpected answers offer a new understanding of the concerto and a stimulus to enhanced listening.In language that the Boston Globes Richard Dyer calls always delightfully vivid, Kerman conducts readers and listeners into the conversations that concertos so eloquently enact. Amid the musical forces at play, he renews the dialogue of music lovers with the language of the concerto--the familiar, the lesser-known, the cherished, and the undervalued. The CD packaged with the book contains movements (or excerpts therefrom) from works that Kerman treats most intensively--by Bach, Mozart, Beethoven, Liszt, Tchaikovsky, Bartok, Stravinsky, and Prokofiev.Tracks on the CD:1. Beethoven Piano Concerto No. 3 in C minor, 1st movement.Robert Levin, fortepiano.2. Beethoven Piano Concerto No. 5 in E-flat, Emperor. From 1st movement.Robert Levin, fortepiano.3. Stravinsky, Concerto for Piano and Wind Instruments, 3rd movement.Olli Mustonen, piano.4. Bartok, Piano Concerto No. 2, 3rd movement.Zoltan Kocsis, piano.5. Schumann, Piano Concerto in A minor, from 2nd movement.Radu Lupu, piano.6. Chaikovsky Violin Concerto, 2nd movement.Arthur Grumiaux, violin.7. Chaikovsky Violin Concerto, from 3rd movement.Arthur Grumiaux, violin.8. Liszt Piano Concerto No. 1 in E-flat, from 1st movement.Martha Argerich, piano.9. Prokofiev, Violin Concerto No. 1 in D, 1st movement.Kyung Wha Chung, violin.10. Prokofiev, Violin Concerto No. 1 in D, from 3rd movement.Kyung Wha Chung, violin.11. Bach Brandenburg Concerto No. 3 in G, 1st movement.Musica Antiqua Koln.12. Mozart, Piano Concerto No. 20 in D minor, K. 466, 3rd movement.Malcolm Bilson, fortepiano.